Colleen Moore is in like Synthetic Sin
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First National Pictures
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Jean Hersholt warns screen daughter Colleen Moore that It Must Be Love, 1926
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a 1927 First National Pictures advertisement advertising COLLEEN MOORE!!! text lovingly reads: Dainty – Delectable – Dazzling – COLLEEN MOORE! What IS this Power she has over Men and Women – […]
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Dorothy Mackaill is not so flirty with Basil Rathbone as The Flirting Widow
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men are a push-over to Dorothy Mackaill in 1928’s The Whip
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you can totally see the heterochromia in Colleen Moore‘s eyes!
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’You can go in but you can’t come out‘ lobby card for 1924’s Why Men Leave Home apparently it was the Hotel California of its day
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Colleen Moore & Jack Mulhall get a hold of one another in We Moderns, 1925
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Anna Q Nilsson’s life has been saved in 1926’s Her Second Chance, which was based off of a book written by Mrs Wilson Woodrow (NOT Woodrow Wilson!!!)
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Colleen Moore monkeys around, riding in an electric car on the First National backlot while filming Synthetic Sin